SCAN I
As you move you continuously and linearly look and record.
---
Cutty Sark-Bank
legs, legs, eyes, eyes and legs, eyes
It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it.” John Berger
SCAN II
As you move you continuously and linearly look and record.
---
abstraction
SECONDS
You can primarily perceive rhythms. You sense the passing of space and time punctuated by
interruptions.
---
fragment from a 3m long visual essay depicting a train ride
LUGO
Lugo was documented following light and the wires behind it.
BRECHT
The design of the theatre increases the distance between audience and performance.
---
interior of model
OBSERVATORY
A visual device will be on One Tree Hill in close relationship with the existing Observatory.
---
location of viewing tower/performance space
VIEWS
You go from performance space to a corridor to a panorama. You look at theatre, at your thoughts and at the view in the exact same way.
---
sequence of views in the viewing tower
SHOP
With the building functioning like a supermarket, you are being taken from an indistinct exterior to an apparently confusing interior.
---
sequence of views in the supermarket
STACKED
---
perspective section of the supermarket
AA
The public passing through Bedford Sq. will only get glimpses of what is going on inside.
---
AA reimagined as growing on the sides of a diagonal cut in Bedford Sq.
